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Start with a music file—or a video whose audio should control the edit. Narration is not added; the track is the spine.

A complete music-driven film. Its sections, visual treatments, and cuts follow the track.

What should the track drive?

Attach the track and any required images or video with the request. A complete video can also be built entirely from type, graphic templates, and motion.

The track sets the structure

HyperFrames maps the track’s phrases, energy, onsets, silences, rolls, drops, and hard stops before it plans the visuals. A rhythmic track can support cuts on its real beat grid. Calm or loose music should flow by phrase and energy instead of forcing a cut onto every measured beat. The visual treatments change at meaningful musical moments. More beats do not automatically mean more scenes.

Review the rhythm

  • The correct section of the track is used.
  • Required media appears and lyrics match the vocal.
  • The strongest visual changes land on meaningful musical changes.
  • Important images and text remain long enough to understand.
  • The ending reaches a musical landing or forms a deliberate loop.
Use the Studio timeline to refine cuts, holds, and the ending against the beat markers.

Refine timing in Studio

Adjust cuts, holds, lyric timing, and the ending.